By which I mean that religious art is the highest form of art, and perhaps is art in its most genuine or profound form, even if, in many such artworks, the religious material wears the trappings of ‘pop culture’ (or some other symbology) so dexterously that it might seem not to be religious at all; or even if that same material is diffuse and abstracted, and not brought out of the latency in which the artist conceives of it, and works with it.