Moreover, there is, in the person of Julie, at least as evidenced by what the audience sees of her, not only in her encounters with other people (both acquaintances and strangers), but also in the music that seems to haunt her, or arrive to her unbidden, so that her method of composing would seem less like writing than an act of sublime transcription, a goodness or a decency that would preclude her from any deed, or course of action, that would bring harm or disrepute upon an individual, regardless of whether it might be justified.