Of course, one of the differences between those works and this one is that they were conceived, and brought to fruition, during the age of the printing press, rather than the age of the internet. The significance of which has to do not only with questions of distribution (though those are of significance), but also with questions of rendering and execution, insofar as the changes that have been wrought by the digitization of media, and the disintegration of the gap between author and audience (which no longer requires an intermediary or wholesaler to span it, so that an author can transmit their work to an audience with immediacy), are not only logistical, but have made themselves felt in the creative process itself, inasmuch as they have allowed for an innovation in the way that an author (or, to use that unfortunate term, ‘content producer’) understands their role, and relates to their own work.