I suppose you could say that what I have described is another way of articulating the dynamic that exists between the artist and the muse, although, if that were the case, I might then say that the artist does not obtain to those landscapes of fertility by involving themself in “imaginative reaching” as much as by opening themselves, or making themselves vulnerable, to the slings and the onslaughts of whatever singularity of emotion or duende has fallen in love with them, or that they have fallen in love with.