And, anyway, art is rare, and difficult to achieve, and the best that a casual audience can hope for, much of the time, when that audience tunes in to a show, or streams something online (be it comedic, dramatic, romantic, or something else), is a tedious if well-meaning portrayal of some contest between ‘good and evil,’ which, in reality, is rarely as uncomplicated as the portrayal would suggest, and which perhaps has no reality at all, insofar as evil is not so much the opposite of good as it is the absence or the negation of good, and thus cannot involve itself in a contest as much as become evident in the landscape that resolves itself, or materializes, when we choose not the good. Which effectively means, I think, those occasions when we choose not to be.