/ by Edward Mullany

Yes, to put it simply, that this one specific fireplace (this white marble one in a room in the house on Chelsea Street that I otherwise don’t remember) was a ‘brother’, so to speak, to some other fireplace I’d already seen (perhaps in a previous dwelling) but had not yet conceptualized as evocative of a form; and so had limited, in my imagination or my cognition, to the borders of its own instance.